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Loud-Blowing Free Jazz Gives in to Subtle String Pleasures
by Tom Hull
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David S. Ware String Ensemble Threads Thirsty Ear |
Threads is something very different. The quartet mushroomed into the String Ensemble by adding Mat Maneri on viola and third-stream hip-hopper Daniel Bernard Roumain on violin, while Shipp diddles the strings patches on his synth. But this isn't a sax-over-strings thing. Ware plays on only the three shortest cuts: two brief duets with drums that would be side-ending codas on an LP, and the dense opener, "Ananda Rotation." The other three are stretched out on minimal skeletons: the delicate "Carousel of Lightness," the gentle roll of the title cut, and the exotic vamp of the Parker-propelled "Sufic Passages." The pleasures here are awfully subtle for free jazz, not to say inscrutable, but for all Ware's devotion to meditation, this isn't New Age either. Rather, it suggests another one of Eno's green worlds, lushly overgrown and just a bit ominous.
But what Threads really lacks is one of the main reasons for listening to jazz: virtuosity. Ware's duets give you a taste of that, but his fiddlers should check out Billy Bang on Parker's Violin Trio record, Scrapbook. Bang's acidic tone cuts more grease than any fiddle's since John Cale was in the Velvet Underground, while Parker and drummer Hamid Drake astonish. Parker and Drake have been quite an item recently: Two of their best are Piercing the Veil (Aum Fidelity), much more than a bass-drums duo, and . . . And William Danced (Ayler), a quickie blowing session with Swedish alto saxophonist Anders Gahnold. But Bang steals the show with the articulation and dexterity you hope for in a great saxophonist -- like for instance David S. Ware, when he speaks with his own voice.